The Oberlin Review

Mathias Énard Zone’s Out with Tall Tales, a Long Train Ride and a Failed Desire to Change History

Aaron Botwick

February 11, 2011

Almost 150 pages into Mathias Énard’s Zone, his protagonist, Francis Mirkovic, remembers the point in his life when he stopped reading “adventure novels” and, because of his exposure to Joseph Conrad, began reading “simply novels.” It is a slight point that is quickly dismissed for a new subject, but the comparison between Énard and Conrad is a valuable one: like Heart of Darkness or The Secret Agent, Zone is a modernist novel that occupies itself with extraordinary subjects, one that combines a low-brow genre with high-brow prose. Conrad’s technique distinguishes him from other famous modernists like Joyce or Proust, who would transform the ordinary into the epic by examining the lives of their...

Crispin Hellion Glover Shows Latest Work

Aaron Botwick

December 4, 2009

On Saturday, Nov. 21, Crispin Hellion Glover appeared in West Lecture Hall. The room was pitch-black except for a single red-tinted spotlight on his face. Without introduction, Glover began to present his “BIG SLIDE SHOW,” a collection of books from the 1800s that he rewrote for a one-hour dramatic performance. Delivered entirely with a straight face, this hilarious show chronicles a series of phantasmagoric stories featuring narrators who sound like raving madmen out of a poem by Edgar Allan Poe. By combining half-finished sentences with dissonant but eerie photographs, the books written by Glover play out as if they were fragments of dreams that David Lynch might have had long ago. One of his books, Studies...

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