The Oberlin Review

Black and White “Fury Road” Re-Release Highlights Action, Scenery

Christian Bolles, Columnist

May 5, 2017

When beloved director George Miller first released the much-awaited follow-up to his cult classic Mad Max series, he teased that he had watched the new film in black and white and found it a superior experience. Now, after much fan buzz, the “Black and Chrome” edition of Mad Max: Fury Road has hit the big screen for a single day, as part of an ad campaign for its inclusion in the movie’s Blu-ray set. After all of the hype Miller generated around the remaster, one might question whether the film could possibly be that much better with a change as seemingly minimal as a rebalanced colour palette. Yet, when rendered in such contrast, the aesthetic brilliance of Miller’s mayhem-ridden masterpiece shines all the ...

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