The Oberlin Review

Canceled Productions: Art in a Time of COVID-19

Aly Fogel, Arts & Culture Editor

March 13, 2020

The night before Così fan tutte was scheduled to open this past Wednesday, the entire cast, crew, orchestra, creative team, and every voice faculty member gathered on the stage of Hall Auditorium as Dean of the Conservatory William Quillen officially announced that the opera would be closed to the general public. The show must go on — even if the audience is banned from attending. Aside from the two tickets that every cast member is allowed to give friends and family, Hall Auditorium will be empty as the show is performed. The audience, instead, will be watching the show from computers or TV screens as it is livestreamed tonight at 8 p.m. In the age of COVID-19, the question we are all forced to ask is a new version o...

Urinetown’s ensemble cast rehearsing for its opening night, which took place Thursday.

“Urinetown” Takes a Comedic Look at Dark Societal Issues

December 6, 2019

Described in the director’s note as “an eerily relevant takedown of Capitalism’s worst case scenario,” the Oberlin Theater Department’s production of Urinetown, a darkly satirical 2001 musical, is still uncomfortably applicable to our political and social climate today. The production deals with a variety of heavy themes, including the dangers of capitalism run amok, as well as racially-charged violence, climate change, and more.  Yet the show itself is anything but dreary — filled...

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