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Franz, Osborn Direct Riveting, Dynamic Production of Ives’ “Venus in Fur”
Liz Cooper
March 9, 2018
“Annihilation” Brings Weird Fiction to Big-Budget Filmmaking
Christian Bolles
, Editor-in-Chief
March 9, 2018
“Keep It Gay” Evokes LGBTQ+ Pride with Queer Music
Russell Jaffe
, Staff Writer
March 2, 2018
“Black Panther” Shakes Foundations of Race, Gender Norms
Kameron Dunbar
February 23, 2018
Winter Term Playwriting Project Ends with Varied Performance at Cat
Kate Fishman
, Managing Editor
February 16, 2018
Alum’s Pulitzer-Winning Opera Presents Dark, Twisted Plot
Julia Peterson
, Arts & Culture Editor
February 9, 2018
“The Maids” Delivers Stunning, Subversive Performance
Ananya Gupta
, Managing Editor
February 9, 2018
The Post Sheds Light on Media, Government Tussles
Kirsten Heuring
, Staff Writer
February 9, 2018
Emeka Directs Nuanced, Musically-Textured Production of “Bluest Eye”
Julia Peterson, Arts & Culture Editor and
Ellis Lane
December 1, 2017
“Heathers” Explores Dark Elements of High School
Julia Peterson
, Arts & Culture Editor
December 1, 2017
Blood, Lineage Play Significant Roles in Pixar’s Coco
Ananya Gupta
, Managing Editor
December 1, 2017
“Women of Will” Strikes Socio-Political Chord
Kirsten Heuring
, Staff Writer
November 17, 2017
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