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“Arrival” Speaks Its Own Language
Christian Bolles
, Editor-in-Chief
November 18, 2016
Femininity Dismantled Fascism in “Pan’s Labyrinth”
Christian Bolles
, Editor-in-Chief
November 11, 2016
On the Record with Ben Sinclair, High Maintenance
Christian Bolles
, Editor-in-Chief
November 11, 2016
Black Mirror’s Abyss Stares Back
Christian Bolles
, Editor-in-Chief
October 28, 2016
Eastwood’s Sully Sheds New Light on Historic Event
Christian Bolles
, Editor-in-Chief
September 30, 2016
Archaeology, Storytelling Converge in “Discovering Dave”
Christian Bolles
, Editor-in-Chief
September 23, 2016
Program Cuts Leave Film Students with Questions
Christian Bolles
, Editor-in-Chief
September 16, 2016
On the Record: Jennifer Hoock, OC ’83, Cat in the Cream Founder
Christian Bolles
, Editor-in-Chief
May 6, 2016
Purvis, Shapiro Aim to Screen Diverse, Unusual Movies in Series
Christian Bolles
, Editor-in-Chief
April 29, 2016
‘God’s Not Dead 2’ a Slice of Trump-Era Propaganda
Christian Bolles
, Editor-in-Chief
April 15, 2016
In ‘Batman v Superman,’ Quantity Trumps Quality
Christian Bolles
, Editor-in-Chief
April 1, 2016
‘Witch’ Taps into Paranoia, American Nationalism
Christian Bolles
, Editor-in-Chief
March 4, 2016
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