The Oberlin Review

Cleveland Orchestra Fails to Provide Diversity in Repertoire

Matthew Bickett, Contributing Writer

September 21, 2018

Filed under Commentary, OPINIONS

James Oestreich of The New York Times says the Cleveland Orchestra “may (quietly) be America’s best.” But what does it mean to be one of the best orchestras? For the players on stage, it means performing with exquisite sensitivity and responding to the scores and conductors in front of them with unparalleled skill. For the artistic direction, it means leading the ensemble down the path to irrelevance and eventual obscurity. Oestreich is wrong; the Cleveland Orchestra is not one of the best. In fact, they’re hardly an orchestra at all. Rather than an orchestra, I’d say they’re an ensemble specializing in the performance of music by European men. In much the same way that eighth blackbird plays only contemp...

Chris Jenkins, Associate Dean

Chris Jenkins, Associate Dean

February 16, 2018

Chris Jenkins is Oberlin Conservatory’s Associate Dean for Academic Support; liaison to the Office of Equity, Diversity, and Inclusion; and the deputy Title IX coordinator. He received his Bachelor of Arts from Harvard University in 2001 and went on to receive his Master’s in Music from the New England Conservatory in 2003. Jenkins plays the viola and was granted a Performance Certificate from the Manhattan School of Music. He also holds a deep interest in human rights, and earned a Master’s in ...

First Thursday

First Thursday

September 8, 2017

Orchestra’s Synergy Eclipsed by Virtuosity

Orchestra’s Synergy Eclipsed by Virtuosity

April 15, 2016

With beautiful pieces and a talented ensemble, the Oberlin Chamber Orchestra made their mark on Finney Chapel Saturday night. Headlined by a performance of Sergei Prokofiev’s virtuosic Violin Concerto No. 2 in G Minor, Op. 63, the event highlighted the relationship between the soloists and the orchestra in each piece. The rapport within conductor Raphael Jiménez’s ensemble demonstrated a sense of equality that resembled a conversation between old friends. That said, this dynamic was inconsistent...

Tetzlaff Receives Ovation After Energetic Recital

Colin Roshak

November 6, 2015

Filed under ARTS, Music

German violinist Christian Tetzlaff presented a daunting program of over 90 minutes of works for solo violin last Friday. This was no easy feat, but Tetzlaff was up for the challenge. He strode confidently onto the stage, greeted by enthusiastic applause, and wasted little time delving into the music. The program featured Bach’s Sonata No. 3 in C major and three modern pieces that demonstrated Bach’s influence on later composers. Tetzlaff’s rendition of the sonata was charming and entirely organic. Each phrase flowed seamlessly into the next, aided by an impeccable sense of rubato. The second movement was the centerpiece. Tetzlaff delicately balanced the intertwining subjects above well-struck harmonies. In...

Lu Delivers Masterful Chopin Performance

Colin Roshak, Staff Writer

September 11, 2015

Filed under ARTS, Music

Since graduating from the Conservatory in 2006, pianist Tian Lu has traveled around the world honing her craft. This past week, she returned to Oberlin to perform a recital consisting entirely of works by the influential Polish composer Frédéric Chopin. Lu received her undergraduate degree as well as Artist Diploma from the Conservatory under the tutelage of Professor of Piano Monique Duphil and her master’s degree from the Peabody Institute of Johns Hopkins University, where she studied with Boris Slutsky and Leon Fleischer. Chopin’s works, all 230 of which include piano, contain some of the most technically demanding yet haunting beautiful music in the standard repertoire. Although trained in the style of...

Quintet Imani Winds Crafts New Interpretation of Chamber Traditionalism

Ava Bravata-Keating

February 14, 2014

Filed under ARTS, Music

Sunday afternoons are usually uninspiring, consumed by half hearted studying, intermittent napping or other forms of aimless dawdling, but last Sunday’s performance by chamber quintet Imani Winds ripped through the stupor of this end-of-the-weekend limbo. The non-traditional mélange of original compositions, reconstructed orchestral classics and jazz-flavored chamber music kept the Finney Chapel audience on its toes while still delivering the polished performance expected from Oberlin’s Artist Recital Series. Meanwhile, the group’s collaboration with lauded pianist Gilbert Kalish added diversity to an otherwise wind-dominated program. Curtain-opener “Startin’ Sumthin’” by Imani Winds’s own Jeff Scott...

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