The Oberlin Review

Dr. Shelley Perlove, author and Professor Emerita of the History of Art.

Shelley Perlove, Professor Emerita of Art History

March 9, 2018

Dr. Shelley Perlove is a Professor Emerita of the History of Art at the University of Michigan-Dearborn. Her work has focused on 17th-century Italian and Dutch art — particularly on its incorporation of religious and material culture. She has published a number of scholarly works, including Bernini and the Idealization of Death and Rembrandt’s Faith: Church and Temple in the Dutch Golden Age, which won the Brown-Weill Newberry Library Award and the 2010 Roland H. Bainton Prize sponsored by the...

“Lines of Inquiry” Showcases Rembrandt’s Technique, Breadth of Etchings

Ellis Lane

February 9, 2018

A spectacular selection of Rembrandt’s work stars at the Allen Memorial Art Museum in Lines of Inquiry: Learning from Rembrandt’s Etchings. The new exhibition, which opened Tuesday, was curated in collaboration with Cornell University’s Herbert F. Johnson Museum of Art, which hosted it last semester. Along with displaying examples of Rembrandt’s innovative printmaking, the selection also explores Oberlin’s personal history with these works, current digital projects, and innovations that are facilitating access to the works. Immediately upon walking into the AMAM, visitors are greeted by a video that introduces various 17th-century processes for papermaking, etching, watermarking, and printing that Rembrandt used to cr...

The Bluest Eye showcases the harm of mainstream white beauty standards on a young Black girl in Depression-era Lorain, Ohio, in Lydia Diamond’s stage adaptation of Toni Morrison’s 1970 novel.

Emeka Directs Nuanced, Musically-Textured Production of “Bluest Eye”

December 1, 2017

The Bluest Eye, Lydia Diamond’s stage adaptation of Nobel Prize-winning author Toni Morrison’s 1970 novel about a young Black girl who prays for blue eyes, opened last night in Hall Auditorium. The production, directed by Associate Professor of Theater and Africana Studies Justin Emeka, OC ’95, is a richly textual and musical experience that tests the boundaries between prose and stage. One of the reasons that this play is especially resonant with Oberlin communities is that The Bluest Eye ...

Students perform Mozart’s opera Le nozze di Figaro, which opened Wednesday night in Hall Auditorium.

“Figaro” Explores Gendered Power Dynamics With Comedic Flair

November 3, 2017

The operas presented by the Conservatory have long been a campus highlight, drawing students, faculty members, and community members to one knockout performance after another. This semester looks to be no different, as evidenced by Oberlin Opera Theater’s production of The Marriage of Figaro, which opened Wednesday night in Hall Auditorium. However, in the wider world, questions continue to be raised about the sustainability of opera as an art form. On Thursday night, Resonanz Opera presented a pa...

Established 1874.