The Oberlin Review

Simply Voting Is No Longer Enough

Leo Hochberg, Columnist

February 7, 2020

 Today, citizens and residents of the U.S. are more angry, emotional, and divided than we’ve ever been — and, doubtless, there’s plenty to be angry about. Children remain separated from their parents and locked away in prison camps on the southern border; successive conservative administrations have all but annihilated the pro-poor welfare policies of the mid-20th century; and now, the president has been acquitted by spineless politicians who seek to avoid accountability for aiding and abetting high crimes and misdemeanors. The racist and colonialist foundations of the U.S., which have driven this country in a conservative arc for centuries, have now given rise to an administration so thoroughly invested in m...

Hong Kong Protesters Hold Tight to ‘One Country, Two Systems’

Leo Hochberg, Columnist

December 13, 2019

 The youngest generation of Hong Kong’s citizens has never seen anything like the summer and fall of 2019. Protests that broke out in March of this year in response to a controversial criminal extradition bill have since morphed into a massive, complex, and well-organized civil uprising. Looming over Hong Kong’s civilian protest movement is the specter of mainland China, to which Hong Kong was repatriated in 1997 after a century and a half of British colonial rule. Hong Kong has since received special status within China — commonly referred to as “one country, two systems” — allowing the city to maintain a liberal economy, protection from the Chinese Communist Party’s influence, and limited participatory democ...

Rocking Out the Revolution

Rocking Out the Revolution

November 10, 2017

The Cat in the Cream hosted a Soviet/Post-Soviet Dance and Costume Party Wednesday night. The event was organized by the Oberlin Center for Russian, East European, and Central Asian Studies. It compliments the extensive programming that the OCREECAS has facilitated over the past few weeks in conjunction with the centenary of the Russian Revolution, which included musical events and talks from visiting scholars and artists.

Artist-in-Residence Nikita Makarenko.

On the Record with Nikita Makarenko

October 27, 2017

Artist-in-Residence Nikita Makarenko is a political journalist, theater producer, and musician from Tashkent, Uzbekistan. He is a producer at Ilkhom Theater, Uzbekistan’s first independent theater company. Makarenko gave a talk titled “Romantic Notions of the Revolution and Revolutionary Songs in Contemporary Post-Soviet Popular Music” at 4:30 p.m. today, and on Tuesday, he will give a talk about the recent paradigm shift in Uzbek politics at 4:30 p.m. This interview has been edited for length and ...

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