Music – Page 2 – The Oberlin Review

Cowboy Carter Challenges Historical Representations of America

Chloe Boccara, Staff Writer
April 5, 2024

Crane Wives Performs in Cleveland, Kindles Nostalgia

Nikki Keating, Editor-in-Chief
April 5, 2024

The Last Dinner Party Makes Stunning Debut in Prelude to Ecstasy

Lucy Curtis, Arts & Culture Editor
February 16, 2024

Illinoise: A New Kind of Musical Succeeds in Every Sense

Travis O’Daniel, Conservatory Editor
February 16, 2024

The Music of Mudd: What Oberlin Students Listen to While Studying

Sadie Howard, Staff Writer
February 16, 2024

2024 Grammys Showcase Groundbreaking Women-Led Bands

Lucy Curtis, Arts & Culture Editor
February 9, 2024

In Increasingly Separate World, Spotify Wrapped Connects Us

Lucy Curtis, Arts & Culture Editor
December 1, 2023

Video Game Music Spans Across Genres, Provides Joy Despite Being Labeled Uncool

Nikki Keating, Editor-in-Chief
December 1, 2023

Del Water Gap Falters Initially, but Sticks Landing in Columbus Show

Lucy Curtis, Arts & Culture Editor
November 3, 2023

’Sco Booker Spotlight: From Paperwork to Performance

Calvin Ray Shawler, Conservatory Editor
November 3, 2023

Laufey Blends Genres as Part of “Sad Wasian” Trope, Bewitches Audience

Kayla Kim, Managing Editor
October 27, 2023

Despite Skeptical Audience, The Lemon Twigs Interact Well with Crowd

Sadie Howard, Staff Writer
October 6, 2023

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