The Oberlin Review

Looking Beneath the Laughs in Coming-of-Age Comedy “Good Boys”

Casey Troost

September 6, 2019

 Based on the trailer, it’s easy to compare Good Boys to previous action-comedies like Superbad, Bad Teacher, Year One, and Bad Grandpa. However, while the humor of comparable movies is often delivered by adults or teenagers, Good Boys shifts the focus to three youthful and inexperienced pre-teens. In Good Boys, most of the comedy comes from scenes in which the three naive protagonists, called “The Bean Bag Boys,” misinterpret the adult content they come into contact with. For example, Thor, one of the three Bean Bag Boys, mistakes a BDSM mask in his parent’s closet for protective wear and puts it on to answer the door for a stranger. While I enjoyed the comedy in the film, I question whether I should have...

Final “How to Train Your Dragon” Installment Warms Hearts

Kabir Karamchandani, Staff Writer

March 1, 2019

Editor’s note: This review contains major spoilers for How To Train Your Dragon: The Hidden World. The How To Train Your Dragon franchise has always held a special place in my heart, largely because it’s very loosely based on Cressida Cowell’s book series, which I loved as a child. With stunning visuals, one of my all-time favorite scores, and unusually mature themes for children’s movies, How To Train Your Dragon is undoubtedly one of the best animated series of the last decade. Although the latest installment, The Hidden World, pales slightly in comparison to its predecessors, it is still a thoroughly enjoyable movie and provides an emotional end to a fantastic trilogy. A large part of the franchise’s a...

Andrew V. Uroskie, Filmmaker and Professor

Andrew V. Uroskie, Filmmaker and Professor

November 30, 2018

Andrew V. Uroskie is an associate professor of art and the director of graduate studies in Art History and Criticism at Stony Brook University in New York. Uroskie specializes in late modern and contemporary art with a focus on postwar and contemporary artists that work in durational mediums such as video, film, and sound. On Nov. 29, he presented a lecture at Oberlin titled “Beyond The Whole Earth?: David OReilly’s Everything (2017),” about how OReilly’s work traverses the traditionally se...

“Expanded Cinema” Film Screening Challenges Students to Think Beyond Two — Or Perhaps Three — Dimensions

Josh Spielman

September 28, 2018

The 3D movie fad has declined in the past few years, but it wasn’t long ago that Hollywood studios were aggressively marketing their summer blockbusters in three dimensions. Multiplexes gleefully cashed in on audiences willing to fork over nearly $20 for the sensory spectacles. The cynical commercialism of, say, a Transformers film has since blemished 3D film technology. Now, if I’m putting on a pair of novelty glasses in a darkened theater, at best, I’ve wasted money on an overblown, in-your-face version of a decent movie. Right? Wrong. Take two films shown Monday night in the Clarence Ward Art Building, in the second installment of the Cinema Artists’ Cinema 16mm film series. This week’s event, “Exp...

Vikander Falls Short as Lara Croft in “Tomb Raider”

Ananya Gupta, Arts & Culture Editor

April 6, 2018

Editor’s Note: This review may contain spoilers for the Tomb Raider series. After playing Lara Croft Tomb Raider: Anniversary and watching Lara Croft: Tomb Raider and Lara Croft Tomb Raider: The Cradle of Life, it’s safe to say that I’m a superfan of the gun-toting, knife-wielding, acrobatic badass Lara Croft. Tomb Raider, starring Alicia Vikander as Lara Croft and directed by Roar Uthaug, unfortunately reduced this iconic, legendary woman into a one-dimensional character, with a storyline several notches below even the amateur Adobe Flash games one can excavate online today. While several versions of Lara Croft’s backstory exist, all franchises tell the story of an English woman who is trained to be an archaeolog...

Peanut Sauce Film Project Explores Thai Education System

Peanut Sauce Film Project Explores Thai Education System

September 8, 2017

The Peanut Sauce Project 2560, a documentary project with an eye toward the education system in Thailand and the marginalized groups within it, presented three documentaries in the Birenbaum Innovation and Performance Space Friday night. The project was organized by double-degree fifth-year Thanisa Durongkaveroj, who was joined by Matt Blankinship, OC ’17, Anna Treidler, OC ’17, and collaborator Bitong Suchritt. Durongkaveroj, Blankinship, and Treidler were all in attendance at Friday night’s ...

“Raw” Offers Potent Commentary on Sexuality, Sisterhood

Christian Bolles, Columnist

April 14, 2017

Editor’s Note: This review contains spoilers and mentions of violence, sexual assault, nausea and trauma inflicted on both humans and animals. When French writer-director Julia Ducournau’s feature-length debut Raw made rounds at film festivals worldwide, paramedics became an occasional fixture of the proceedings as audience members either fainted or left the theater — some without returning, others to empty their stomachs in the nearest bathroom. Despite being produced on a tight budget and given limited theatrical distribution, these incidents have brought the film a grotesquely alluring reputation since its release a few weeks ago. Historically, other films have garnered similar reactions — The Exorcist is...

Jenkins’ Accessible “Moonlight” Showcases Stellar Performances

Christian Bolles, Columnist

February 10, 2017

If you haven’t seen Moonlight on the grounds of its tough subject matter, you may not be alone, but you certainly should reconsider. Writer/director Barry Jenkins’ sophomore feature takes a Boyhood-esque trip straight to the heart of human pathos, spinning its tale of a man named Chiron through intimate close-ups that reflect the personal sting of his unfortunate circumstances. Moonlight has been — and will continue to be — hailed by the industry and viewers as “important” due to the sheer rarity of the subject in the medium of film: a gay Black man. But historically, “important” is a reductive and alienating label that pushes works of social significance into a dusty altar in the corner while safer, m...

‘God’s Not Dead 2’ a Slice of Trump-Era Propaganda

Christian Bolles, Arts Editor

April 15, 2016

“The most basic human right of all is the right to know Jesus,” says Director Harold Cronk through one of his signature mouthpiece characters in his latest film, God’s Not Dead 2, produced by the Christian company Pure Flix. Ideas like these have been voiced in the U.S. ever since the words “separation between church and state” were first contrived, fermenting in communities whose refusal to accept progressive mindsets often ends in hateful contempt. Some of the greatest problems arise, however, when popular culture gives these groups enough affirmation to bring hateful ideas supported by a twisted conception of faith to mainstream American society. Donald Trump is the most recent example of entertainment gone hor...

Askin Avoids Clichés in 30 Score

Vida Weisblum, Managing Editor

March 11, 2016

College sophomore JD Askin spends most of his time in his dorm room — a cozy nook in South with a red rug, a keyboard, rainbow water speakers, a lone strand of multicolored Christmas lights and not much else. Askin, a New York City native and resident of Manhattan’s Upper West Side, is a primarily self-taught musician dabbling in a multitude of genres and mediums. At 21, he is in the process of scoring an independent horror movie called 30 using only his keyboard and Logic Pro software. Scoring 30 served as Askin’s primary project during his time off from school last semester. Over the summer, he scored a clip for an environmental science documentary produced by a small company that he had sent some samples...

‘Witch’ Taps into Paranoia, American Nationalism

Christian Bolles, Columnist

March 4, 2016

While The Conjuring flaunted its beat-by-beat horror and It Follows divided many fans of the genre, something was watching from the dark, forgotten woods of this country’s cultural memory. It’s a subgenre sometimes overlooked in cinema, containing innate nuance. That gold mine of cinematic potential is the American gothic tale, and The Witch taps into it. With The Witch, first-time writer-director Robert Eggers set out to craft a meticulously detailed period film predicated upon believability, accuracy and respect for the source material: hundreds of historical documents, both fictional and not, which he pored over for years leading up to filming. His work paid off: The Witch is a tense, suffocating account o...

‘Anomalisa’ Comments on Gender Politics in Romance

‘Anomalisa’ Comments on Gender Politics in Romance

February 5, 2016

Very few filmmakers are capable of confronting the contradictory selfishness of love with the heartbreaking honesty of Charlie Kaufman. After toying with the idea of a procedure that can render one’s previous relationships forgotten in Eternal Sunshine of the Spotless Mind, Kaufman explores the other side of the coin in Anomalisa, telling the story of a man who seems unaware of his own doomed cycle of infatuation and disinterest. Simultaneously a fable about what it means to grow older and a pitch...

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