The Oberlin Review

College and Conservatory Announce Optional Pass/No Entry Grading System, COVID-19 Incompletes

Aly Fogel, Associate Editor

May 6, 2020

In an effort to accommodate students affected by the COVID-19 pandemic and the transition to remote learning, the College and Conservatory have announced new grading protocols effective for the rest of the semester. The changes were announced by faculty governance committees and the Arts and Sciences and Conservatory Deans' Offices via emails sent in mid-April.  The new grading protocols shift the optional Pass/No Pass system to an optional Pass/No Entry grading model, but the default grading system for most courses remains letter grades. If a student elects to take a class Pass/No Entry and earns a grade below a C-, the course will not be listed on their official transcript. This is a change from the previous optio...

Bibbins Hall, which holds the Conservatory's main classrooms, is currently closed to students following Oberlin's transition to a remote campus.

Conservatory Adjusts Curricular Requirements Following Transition to Remote Campus

April 12, 2020

Following Oberlin’s transition to a remote campus in the wake of the ongoing health crisis, the Conservatory has had to adapt their curriculum including private lessons, ensembles, and culminating recitals to an online platform. The Conservatory has adjusted some of their requirements and set flexible guidelines for students in order to accomodate for the variety of departmental and individual circumstances.  This semester, to account for extenuating circumstances due to COVID-19, the deadline...

Administrators, Faculty Governance Committees Decline to Endorse Universal Pass

Nathan Carpenter, Editor-in-Chief

April 4, 2020

Dean of the College of Arts and Sciences David Kamitsuka and Dean of the Conservatory William Quillen announced to the Oberlin community Thursday afternoon that administrators and faculty-governance bodies had declined to endorse a Student Senate-led petition advocating for a Universal Pass grading system. The petition, drafted in response to the global COVID-19 pandemic, had been co-signed via Google Docs by more than 1,300 current students. “Student Senate sees it as being imperative that our grading system reflect the unprecedented situation presented by the current COVID-19 pandemic,” College third-year and Chair of Student Senate Henry Hicks wrote in an email to the Review. “Given the inaccessible reali...

The Conservatory is set to launch two new certificate programs in Recording Arts and Production.

Conservatory to Launch New Recording Arts and Production Programs

March 6, 2020

The Conservatory has announced new one-year and two-year certificate programs for postgraduate students in Recording Arts and Production. The program is currently accepting applications for its first semester, which will begin this fall. The program is spearheaded by Director of Audio Services Paul Eachus and Associate Director of Audio Services Andrew Tripp. They explained that the idea originated in the midst of the Academic and Administrative Program Review process. “When AAPR initially started to get ...

Assistant Professor Aurie Hsu performs a piece to electric drums Thursday evening in Clonick Hall as part of a weekend
celebration of John Talbert’s career.

TIMARA Hosts Expansive Sendoff for John Talbert

March 3, 2017

John Talbert, who for 38 years has run a tight ship as the technical director of the TIMARA department, will retire this spring. The department has organized a weekend festival that kicked off yesterday and will run through Saturday evening to honor his decades behind the scenes, maintaining vintage equipment, keeping the department stocked with the latest and greatest technology, running tech support for events and teaching students integral skills from circuit design to interface building. ...

Faculty, Guests to Perform Collaborative Electroacoustic Pieces

Gillian Pasley

February 17, 2017

The TIMARA basement is uncharted territory for many Oberlin students, even those who frequent the Conservatory. Known for pushing the boundaries of electroacoustic composition and experimental performance, the department is internationally recognized for its impact on the history of electronic music — it was the first conservatory program in the world to focus on electronic composition. The program has a legacy of accomplished and prolific alumni and faculty, and at 8 p.m. tonight in Warner Concert Hall, Oberlin students will get a chance to witness this tradition in a recital featuring TIMARA faculty and guest composers. The recital features faculty members Peter Swendsen, OC ’99, Tom Lopez, OC ’89, and Aurie ...

On The Record with TIMARA Professor Peter Swendsen

February 3, 2017

Associate Professor of Computer Music and Digital Arts Peter Swendsen, OC ’99, spent Winter Term in Norway performing his new hour-long, fixed-media piece What Noises Remain with percussionist Jennifer Torrence, OC ’09. Swendsen, who also holds an M.F.A. from Mills College Center for Contemporary Music in California and a Ph.D. in Music Composition and Computer Technologies from the University of Virginia, has written extensively for dance and film and often works collaboratively with other a...

Assistant Professor of Computer Music and Digital Art and TIMARA Chair Peter Swendsen, who discussed his soundscape compositions last Tuesday.

On the Record with Peter Swendsen, assistant professor of Computer Music and Digital Arts

October 9, 2015

Peter Swendsen joined Oberlin’s TIMARA faculty in 2007 as assistant professor of Computer Music and Digital Arts. Last year he released an album titled Allusions to Seasons and Weather, in which he captured his experiences in Norway almost 10 years ago. Currently serving as the chair of the TIMARA department, Swendsen gave a talk this past Tuesday about his soundscape compositions in relation to the field of ecoacoustics. You released your album Allusions to Seasons and Weather a year ago around...

Established 1874.