film review – The Oberlin Review

Godfather Director Returns With Megalopolis, Imperfect Yet Powerful Film About Art, America

Carrie Shevitz, Staff Writer
October 11, 2024

Irma Vep Offers Sincere Exploration of Film Making

Malcolm Bamba, Arts & Culture Editor
September 9, 2022

Marvel’s Eternals Doesn’t Quite Live Up to Hype

Kushagra Kar, Editor-in-Chief
November 12, 2021

Judas and the Black Messiah Deservedly Valorizes the Black Panther Party

Nico Vickers and Kushagra Kar
February 19, 2021

“Joker” Brings Controversy, Brutality to Box Office

Kushagra Kar, Editor-in-Chief
October 11, 2019

“Tall Girl” Highlights Questionable Values for Young Girls

Ananya Gupta, Managing Editor
September 20, 2019

Looking Beneath the Laughs in Coming-of-Age Comedy “Good Boys”

Casey Troost
September 6, 2019

“Avengers: Endgame” Rocks the Box Office

Kabir Karamchandani, Staff Writer
May 3, 2019

Captain Marvel: A Solid Superhero Movie, But Nothing More

Kabir Karamchandani, Staff Writer
March 15, 2019

Black and White “Fury Road” Re-Release Highlights Action, Scenery

Christian Bolles, Editor-in-Chief
May 5, 2017

Chan-Wook’s “Handmaiden” Unpacks Sexual Power Dynamics

Christian Bolles, Editor-in-Chief
April 21, 2017

Peele’s Triumphant Debut Get Out Interrogates Liberal Racism

Christian Bolles, Editor-in-Chief
March 31, 2017

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