The Oberlin Review

On the Record with Maria Miranda, Artist and Activist

On the Record with Maria Miranda, Artist and Activist

February 5, 2016

Maria Miranda, a reproductive health activist from Cleveland, serves on the NARAL Pro-Choice Ohio board, works at an online reproductive health-oriented publication called RH Reality Check and has worked with other social justice organizations including Greater Cleveland Community Shares and Preterm. She has received numerous awards for her contributions to social activism. She has visited Oberlin twice before for reproductive health workshops and is one of three artist-activists who participated in ...

On the Record with Kyle James Hauser, Singer-Songwriter

On the Record with Kyle James Hauser, Singer-Songwriter

November 20, 2015

Kyle James Hauser is a singer-songwriter, banjoist and guitarist currently based in Louisville, KY. Hauser studied songwriting at Berklee College of Music and has performed at such notable events as the Telluride Bluegrass Festival, CMJ Festival in New York and the Toronto International Film Festival. Hauser’s recently-composed ballet, A Well Worn Path, follows up his two solo albums, 2012’s Oh Oh and 2014’s You a Thousand Times. Hauser visited Oberlin last Thursday to lead a songwriting workshop...

On the Record with Jessica Hopper, Music Critic and Author

On the Record with Jessica Hopper, Music Critic and Author

November 13, 2015

Jessica Hopper is a senior editor at Pitchfork, a featured writer in Best Music Writing 2004, 2005, 2007, 2010 and 2011 and a writer at the online magazine Rookie. She inspired music fans at the Cat in the Cream on Thursday, Nov. 5 with a talk on her book, The First Collection of Criticism by a Living Female Rock Critic. The Review spoke with Hopper about musical elitism, women in the music industry and the dangers of self-doubt. In the beginning of your book, you include this beautiful introduction ab...

On the Record with Jon Fine, OC ’89, Guitarist and Author

On the Record with Jon Fine, OC ’89, Guitarist and Author

November 6, 2015

Jon Fine, OC ’89, released his memoir, Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear) last May to rave reviews. The book explores the rise and fall of the boundarypushing, genre-defining indie rock scene he helped establish during his time with bands like Don Caballero and Bitch Magnet, which formed at Oberlin during Fine’s first year. This past Wednesday at the ’Sco, Professor of Sociology Rick Baldoz hosted a question and answer session with Fine, w...

On the Record with Peter Swendsen, assistant professor of Computer Music and Digital Arts

On the Record with Peter Swendsen, assistant professor of Computer Music and Digital Arts

October 9, 2015

Peter Swendsen joined Oberlin’s TIMARA faculty in 2007 as assistant professor of Computer Music and Digital Arts. Last year he released an album titled Allusions to Seasons and Weather, in which he captured his experiences in Norway almost 10 years ago. Currently serving as the chair of the TIMARA department, Swendsen gave a talk this past Tuesday about his soundscape compositions in relation to the field of ecoacoustics. You released your album Allusions to Seasons and Weather a year ago around...

On the Record with Jinjoo Cho, new teacher of Violin

On the Record with Jinjoo Cho, new teacher of Violin

September 4, 2015

Jinjoo Cho, a violinist from Seoul, South Korea, is joining the Oberlin Conservatory faculty this fall. At age 26, she was the winner of the International Violin Competition of Indianapolis after previous successes at the Aspen Music Festival and the Alice Schoenfeld International String Competition. She has played with artists including Kent Nagano, Michael Stern, Yoel Levi and James Gaffigan, as well as numerous orchestras. Cho is also known for her community and outreach work and her engageme...

On the Record with Steve Coleman, saxophonist and composer

On the Record with Steve Coleman, saxophonist and composer

May 8, 2015

Steve Coleman is a saxophonist, composer and bandleader from Chicago’s South Side. Coleman’s complex style, which emphasizes polyrhythmic meter and unorthodox tonalities, falls outside the realm of categorization. The Review spoke to Coleman on the phone just before his show at the ’Sco Tuesday night about everything from playing in Cecil Taylor’s big band to parallels between music and language. How did you develop your personal sound? Who are your early musical influences? My early m...

On the Record with Tom Knific, Jazz Bassist

April 24, 2015

Tom Knific is a bassist, composer and professor of double bass and jazz guitar at Western Michigan University. His four albums, Home Bass, Siena, Lines of Influence and The Muse, have all received critical acclaim. Knific visited Oberlin last week to teach a masterclass and perform alongside the Performance and Improvisation Ensemble at the Cat in the Cream. The Review sat down with Knific to talk about his passion for jazz, as well as some of the projects he’s worked on. What brings you to Ober...

On the Record with Claire Chase, MacArthur Fellow

On the Record with Claire Chase, MacArthur Fellow

April 10, 2015

Claire Chase, OC ’01, is a world-renowned contemporary flautist. The New Yorker and The Wall Street Journal have described her as “the young star of the modern flute” and “a rare combination of grace and guts”, respectively. She is a MacArthur Fellow and a cofounder of the International Contemporary Ensemble, a nonprofit collective dedicated to “reshaping the way music is created and experienced”. On Thursday, Chase was part of a panel titled “The Arts, Entrepreneurship and Higher Education...

On the Record with Andy Statman, Mandolinist and Clarinetist

On the Record with Andy Statman, Mandolinist and Clarinetist

March 13, 2015

Andy Statman, a highly praised mandolinist and clarinetist who hails from New York City, works with a variety of musical genres, including American folk, klezmer and jazz. He has released over two dozen studio albums and received recognition for his work in the field, including a National Heritage Fellowship. On Monday, Statman gave a master class for students and performed at the Cat in the Cream. The Review spoke with Statman by telephone after his return to his home in Brooklyn. Can you tell us a little bit ...

On the Record with Pixar’s Nicole Grindle

Bri DiMonda

March 6, 2015

Filed under ARTS, On the Record

Nicole Grindle has worked as a production manager at Pixar for the past 25 years and collaborated on films like A Bug’s Life, Ratatouille, The Incredibles, Toy Story 3 and Monster’s University. She came to the Apollo Theatre on Friday as part of Oberlin’s “Creativity and Leadership Speakers Series.” The Review spoke with her about her experiences breaking into the film industry and Pixar’s culture of creativity. You studied documentary production at Stanford University — what sparked your interest in film and, more specifically, documentaries? I was an undergrad at the University of Pennsylvania, and I did not major in film as an undergrad. My freshman year I was in bioengineering, and then I moved over ...

On the Record with Keith Myers of Dear White People

On the Record with Keith Myers of Dear White People

February 20, 2015

Wednesday night, the Apollo Theatre screened Justin Simien’s lauded satirical drama Dear White People, which focuses on the experiences of Black students at an Ivy League university. The Review spoke on the phone with Keith Myers, who played the relatively small but crucial role of “Black Mitch” in the film and who grew up in nearby Wakeman, Ohio. Meyers discussed everything from his DJ alter ego to Simien’s distinctive directorial approach to drinking mochas at The Feve. What’s the...

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