Established 1874.

The Oberlin Review
Established 1874.

The Oberlin Review
Established 1874.

The Oberlin Review

Dear President Ambar: Matthew Lahey’s Appointment is Shameful

David Arnow, OC '73
February 25, 2022

An Oberlin Education Creates Lifelong Learners

Donn Ginoza, OC ’74
January 7, 2022

“Uncensored” Unofficial Oberlin Facebook Group Incites Bullying, Censorship

Melissa Landa, OC ’86, Marta Braiterman Tanenbaum, OC ’72, and Frieda Fuchs
December 17, 2021

Criticism of Oberlin Testament to Care for Community

Anisa Curry Vietze, Kushagra Kar, Gigi Ewing, and Arman Luczkow
October 22, 2021

Alumni who Stay in Athletics: Exploring Sports After Oberlin

Zoë Martin del Campo, Contributing Sports Editor
March 17, 2021

Alumni Call for OSCA Survey Dissemination

Erika Brandt, OC ’13, Shane Clark, OC ’14, Jake Grossman, OC ’08, Casey Lee, OC ’12, and Nathaniel Meyer, OC ’09
February 21, 2020
Rani Molla

Rani Molla, OC ’08, Vox and Recode Data Journalist

Nathan Carpenter and Gigi Ewing
February 21, 2020
Acclaimed musician Rhiannon Giddens, OC ’00 stopped by the Oberlin Center for the Arts’ Community Center to play a private show for local high school students last Wednesday. Giddens has an astounding resumé — as an activist, a historian, a Grammy-award winning artist, and an Oberlin alumna.  The event was hosted by the Oberlin Center for the Arts. Female and non-binary high school students from the area were invited to attend the concert and engage with Giddens’ three-piece band.  Director of the Oberlin Center for the Arts Darren Hamm commented on the success of the performance.  “We see Rhiannon Giddens as a messenger for traditions in music, and an ambassador of history and culture,” Hamm wrote in an email to the Review. “We’re proud to provide an opportunity to highlight her work and create a space whereby others can be inspired to pursue leadership roles and to follow in her path.” Giddens’ work highlights race and gender in the United States. Folk music is a white-dominated genre, and Giddens uses her platform to highlight Black folk narratives.  Brittany Lovett commented on the powerful performance. “Being in a room full [of] youth from throughout Northeast Ohio that are passionate about music and art, and to watch them learn about who Rhiannon Giddens is and what she represents was magical,” Lovett wrote in an email to the Review. “As a Black Woman, being able to watch another Black Woman teach the next generation about the lost art form of the banjo and early African-American history was fulfilling.”

Grammy Winning Alum Performs for High Schoolers

Carson Dowhan, Senior Staff Writer
November 1, 2019

In Hard Times, Moments of Celebration Must Be Tasteful

Editorial Board
October 11, 2019
Neva Cockrell and Raphael Sacks, OC ’09.

Neva Cockrell and Raphael Sacks, OC ’09

Kate Fishman, Managing Editor
October 4, 2019
Danny Prikazsky, OC 14.

Danny Prikazsky, OC ’14, “Are You the One?” Cast Member

Aly Fogel, Arts Editor
September 27, 2019

Oberlin Should Pioneer Network Studies

Max Herman, OC ’89, Contributing Writer
September 20, 2019
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The Oberlin Review

Established 1874.
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